Chaise 'too' longue
A deliberate distortion of the familiar chaise longue, Chaise ‘Too’ Longue reinterprets the idea of a daybed through the language of stainless steel. Its name plays with excess and elongation — the gesture of being “too long,” a quiet deviation that becomes both function and statement. One side extends further than the other, forming a surface that may hold a drink, a book, or simply the trace of light passing across the metal.
Material: Stainless Steel
Dimensions: L 2350mm x W 600mm H 375 mm
Production Team: Leo Schrewe, Rocco Jaeger




Its brushed finish diffuses brightness into a soft glow, while the edges catch and redirect it in sharp contrast. The form appears almost weightless, lifted slightly above the ground on cylindrical legs that mirror its horizontality. Seen from above, it reads as a drawing — a set of lines suspended in space, a quiet dialogue between structure and air.
The structure is composed of parallel stainless-steel profiles that form an open, rhythmic grid. Their precision gives the object its strength, yet what defines it most is not mass, but the void between — the space through which light filters, shifts, and animates the surface. Depending on the angle of illumination, the piece oscillates between opacity and transparency; shadows slide through its geometry, transforming the strict linear order into a field of gradients and reflections.
Chaise 'too' longue
A deliberate distortion of the familiar chaise longue, Chaise ‘Too’ Longue reinterprets the idea of a daybed through the language of stainless steel. Its name plays with excess and elongation — the gesture of being “too long,” a quiet deviation that becomes both function and statement. One side extends further than the other, forming a surface that may hold a drink, a book, or simply the trace of light passing across the metal.
Material: Stainless Steel
Dimensions: L 2350mm x W 600mm H 375 mm
Production Team: Leo Schrewe, Rocco Jaeger




The structure is composed of parallel stainless-steel profiles that form an open, rhythmic grid. Their precision gives the object its strength, yet what defines it most is not mass, but the void between — the space through which light filters, shifts, and animates the surface. Depending on the angle of illumination, the piece oscillates between opacity and transparency; shadows slide through its geometry, transforming the strict linear order into a field of gradients and reflections.
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Studio Bergob is an architectural design practice specialising in lighting, furniture, and exhibition design. With a focus on handmade, custom pieces, the studio blends artisanal craftsmanship with contemporary forms. Its work centres on the transformation of industrial materials through hands-on experimentation—resulting in unique designs that foreground process, material integrity, and spatial presence. From concept to prototype to small-series production, Studio Bergob approaches each project as both a design and a making practice.
Studio Bergob is an architectural design practice specialising in lighting, furniture, and exhibition design. With a focus on handmade, custom pieces, the studio blends artisanal craftsmanship with contemporary forms. Its work centres on the transformation of industrial materials through hands-on experimentation—resulting in unique designs that foreground process, material integrity, and spatial presence. From concept to prototype to small-series production, Studio Bergob approaches each project as both a design and a making practice.